In 1986 Japanese #Synth pioneer #RyuichiSakamoto of #YellowMagicOrchestra collaborated with UK #NewWave pioneer #ThomasDolby resulting in their #Experimental offering “Field Work.” Critic #EdLowe called it “a surprising #AvantGarde delight”- it was a Starck fave #80sMusic youtu.be/e13dgI6A2Yw
Miles Davis - aura live
> mean old devil < bruce haack #leftfield #vocoder #avantgarde #musicconcrète youtu.be/fsa5bp8d4y0?...
The Void (2017) is a blood-soaked love letter to 80s cosmic body horror. The Void is a terrifying masterclass in low-budget, high-craft nightmare fuel and sits at the zenith of new Lovecraftian cinema.
The Third Part of the Night (1971) is an uncompromising cinematic fever dream that translates the unimaginable horrors of wartime occupation into the surreal, feverish logic of a waking nightmare.
Beyond the Black Rainbow (2010) is a mesmerizing, slow-burning sci-fi psychological horror film. Shot with meticulous, analog-textured reverence for 1970s and 1980s art-house science fiction.
ORG (1979) is a monumental, intensely overwhelming, and radically avant-garde perceptual experiment. After years of being hidden away in obscurity, ORG is less of a traditional narrative film and more of an apocalyptic, psychedelic sensory assault.
Iron Rose (1973) is a gorgeous, haunting, and philosophically profound tone poem on love and death. Driven by Jean Rollin's visionary direction and a suffocatingly beautiful gothic atmosphere, it remains an immortal, hypnotic gem of underground European cinema.
Anguish (1987) It is an absolute essential milestone. If you are charting the history of postmodern horror, fourth-wall-breaking narratives, or elite 1980s deep cuts, Anguish sits right at the very summit.
Love Me Deadly (1972) is an sleazy independent exploitation thriller. Sitting comfortably at the muddy intersection of a gritty crime procedural, a psychosexual sleaze-fest, and drive-in slasher, this obscure oddity is a time capsule of early-70s underground cinema.
Necropolis (1970) is a bizarre, fiercely psychedelic, and wildly obscure British underground horror film. If you are charting the history of lost British horror, psychedelic cinema, or underground occult art, Necropolis is mandatory archive viewing.
Dementia (1955) is a silent, nightmarish, and fiercely avant-garde psychological horror film that stands as one of the most uniquely disturbing independent features of the 1950s.
... #throwback [ #SylviaHinz ] - #MartinGaughan - "Her sad infamy sings" ... #recorder #blockflöte #TenorRecorder #tenor #solo #wind #avantgarde #air #voice #MusicSky #MusicianSky . soundcloud.com/martingaugha... .